{"id":5036,"date":"2015-11-29T08:42:26","date_gmt":"2015-11-29T12:42:26","guid":{"rendered":"https:\/\/kerryhannon.com\/?p=5036"},"modified":"2015-11-29T08:42:26","modified_gmt":"2015-11-29T12:42:26","slug":"finding-a-purpose","status":"publish","type":"post","link":"https:\/\/kerryhannon.com\/?p=5036","title":{"rendered":"Finding a Purpose"},"content":{"rendered":"

\"the-new-york-times<\/a>Jamal Joseph stood helplessly on a Harlem sidewalk. He was outside his apartment building watching a circle of women trying to console the mother of a 16-year-old boy who had been fatally shot.<\/p>\n

\u201cHe was a good kid, who was defending his sister,\u201d recalled Mr. Joseph, 62, a film professor at Columbia University. \u201cThere were several other men with me, and all we could do is watch the women cry,\u201d he said. \u201cI thought, I have got to do something right here in this community to make a change.\u201d<\/p>\n

The year was 1997, and Harlem was like \u201ca prison without bars,\u201d Mr. Joseph said. \u201cThe crack epidemic was ravaging the community and buildings were crumbling,\u201d he said. \u201cAnd that was when I decided to create an organization to help young people understand there are other ways out, other options, other tools.\u201d<\/p>\n

Click here<\/a> to Read story on The New York Times<\/em><\/strong><\/p>\n

In response to the wrenching scene that day, Mr. Joseph co-founded the Impact Repertory Theater<\/a>, a nonprofit performing arts group for teenagers, with his wife, Joyce, the screenwriter Alice Arlen and Voza Rivers, the executive producer and founding member of the New Heritage Theater Group, the oldest black nonprofit theater company in New York City.<\/p>\n

\"Photo<\/a>
Photo of Jamal Joseph courtesy of Encore.org<\/figcaption><\/figure>\n

On Friday, Mr. Joseph was awarded a $25,000 prize in recognition and support of his work.<\/p>\n

He is one of six recipients of the 2015 Purpose Prize for Americans 60 and older, created by Encore.org<\/a>, a nonprofit group that is building a movement to tap the skills and experience of people in midlife and beyond to improve communities.<\/p>\n

Now in its 10th year, the Purpose Prize granted $100,000 to one winner and $25,000 each to five others this year. In addition, 41 Purpose Prize fellows were honored for their innovative work.<\/p>\n

The awards have been financed since their inception by Atlantic Philanthropies and the John Templeton Foundation; this year, the Eisner Foundation and MetLife Foundation have sponsored special category prizes as well.<\/p>\n

\u201cWhat characterizes so many of the Purpose Prize winners,\u201d said Marc Freedman, founder and chief executive of Encore.org, \u201cis not only entrepreneurial thinking, but they\u2019re also pragmatic problem-solvers, as opposed to wild-eyed idealists.\u201d<\/p>\n

When the Purpose Prize was started, \u201cour informal motto quickly became: It is the opposite of a lifetime achievement award; rather, it\u2019s an investment in what somebody 60 years or older will do next,\u201d Mr. Freedman said.<\/p>\n

\u201cOriginally, the group set out to defy the notion of \u2018greedy geezers,\u2019\u201d he added. \u201cWe wanted to show that this wasn\u2019t just senior volunteerism, but people who were really trying to do things that defied the stereotype of older people as kindly blue-haired candy stripers.\u201d<\/p>\n

Much of the story line at the beginning involved \u201ccounterposing older people and younger people,\u201d Mr. Freedman said. \u201cEveryone was talking about how innovative and entrepreneurial young people were. We wanted to show there was an undiscovered continent of innovation and idealism in the older population that could be just a powerful force for society as the work being done by people in their 20s.\u201d
\nTen years later, Mr. Freedman sees a coming together of the generations as older people connect with young people \u201cto do this work together.\u201d<\/p>\n

For example, another of this year\u2019s winners is Belle Mickelson, 67, a science teacher-turned Episcopal priest who lives in Cordova, Alaska. Ms. Mickelson is devoted to playing the fiddle and to teaching, which inspired her to start a nonprofit in 2006, Dancing with the Spirit<\/a>, that aims to connect children and elders through music.<\/p>\n

\"photo<\/a>
photo of Belle Mickelson provided by Encore.org<\/figcaption><\/figure>\n

Her frequent collaborator and partner in the project is her 32-year-old son, Mike, a bluegrass musician. Ms. Mickelson\u2019s traveling music program reaches around 700 young people a year who live in 29 of the most remote villages across Alaska. They learn to play indigenous songs, like \u201cEagle Island Blues,\u201d a traditional Athabaskan love song, and tunes like \u201cKeep on the Sunny Side,\u201d and \u201cJambalaya,\u201d a song written and recorded by the country music singer Hank Williams.<\/p>\n

She will receive a $25,000 Purpose Prize for Intergenerational Impact, sponsored by the Eisner Foundation.<\/p>\n

Ms. Mickelson ran an alternative high school for two years and taught sixth grade. She ran a commercial fisheries program at the high school and college in Cordova and taught a workshop on marine education at the University of Alaska.<\/p>\n

\"Photo<\/a>
Photo of Belle Mickelson courtesy of Encore.org<\/figcaption><\/figure>\n

One day she visited Galena, a remote Athabaskan village with a population of about 500, to conduct a fisheries workshop. Afterward, she was invited to an elder\u2019s house for a jam session to play guitar and fiddle. \u201cThey told me how depressed and sad they were,\u201d she said. \u201cThere were so many teen suicides in the community.\u201d<\/p>\n

\u201cAt that point I thought what could I do \u2014 one person?\u201d<\/p>\n

Healing with music was a natural for her. \u201cI always thought of it as a kind of hobby, until as a science teacher I looked at the impact music had on kids, especially in the high school where I taught,\u201d she said. \u201cAlmost every kid had had some major tragedy in his or her lives. We got them back on track with music and art. We taught them to play the ukulele, to play the guitar. Once they gained confidence with music, then they could tackle English and math.\u201d<\/p>\n

But before she could start her traveling music camp, Ms. Mickelson made a personal career change, which led to her becoming the rector at St. George\u2019s Episcopal Church in Cordova with a congregation of 65.<\/p>\n

It gave her a calling card to visit the villages. Her ultimate goal, she said, was to beat back the depression among teenagers, often caused or masked by alcohol and drug abuse. \u201cYou can\u2019t just say don\u2019t do something, you need to replace it with something,\u201d Ms. Mickelson said.<\/p>\n

\"\"<\/a>
Photo of Jamal Joseph provided by Encore.org<\/figcaption><\/figure>\n

Mr. Joseph\u2019s organization grew from his firsthand knowledge of how brutal life could be on the streets. He grew up in foster care, and was a 15-year-old Bronx honor student when he joined the Black Panthers in Harlem in 1968.<\/p>\n

Six months later he was in a group of Panthers who were accused of conspiring to blow up police station houses and the New York Botanical Garden in the Bronx. Mr. Joseph\u2019s case was separated from the others because he was a minor, and he was not tried on the charges.<\/p>\n

 <\/p>\n

In 1981, however, he was convicted of helping to hide a man who had taken part in the robbery of a Brink\u2019s armored car in Rockland County where two police officers and a guard were killed.<\/p>\n

In the federal penitentiary in Leavenworth, Kan., where he served five and a half years, Mr. Joseph wrote his first play, earned two degrees and started a theater group. He said he witnessed how plays brought together prisoners from all parts of the yard, who were previously segregated along racial lines.<\/p>\n

After his release, he embarked on a career as a filmmaker and playwright. He began teaching when he got out, eventually joined the faculty at Columbia and for a time was chairman of the film division at the School of the Arts.<\/p>\n

His concept was to provide a safe place that emphasized discipline and dedication, where young people could talk and write about their lives and the all-too-common progression from bullying to gangs to violence and drugs. In turn, participants would discover ways to convert their experiences into dance movements, plays, poems, rap and songs. More broadly they would learn how to use their imagination as a tool to change their neighborhood.<\/p>\n

Nine young people came to the first meeting in a basement of a community center in Harlem.<\/p>\n

Since that gathering, more than 1,500 young people have participated in Impact workshops, performances and community service in New York, while thousands more have taken part in Impact-led workshops at schools and community centers in Philadelphia, Atlanta and Paterson, N.J.<\/p>\n

Students audition to join the group. Upon acceptance, they attend a mandatory three-month boot camp that teaches leadership skills, conflict resolution and time management. Campers do community service, exercise, maintain good grades and keep daily journals. \u201cWe\u2019re not looking for talent, but kids who are willing to try,\u201d Mr. Joseph said.<\/p>\n

His latest effort is the Generations Project, a program drawing in older adults in Harlem to regularly meet and connect with the Impact students to share experiences. They will perform together for the first time next year.<\/p>\n

\u201cA lot of these kids are being raised by grandparents, so it makes sense to learn from each other, share stories and moments of inspiration,\u201d said Mr. Joseph, who is not paid for his work.<\/p>\n

For Mr. Joseph, receiving the prize confirms some advice he gleaned decades ago from his own mentor, Harry Belafonte, the 88-year-old singer, actor and activist.<\/p>\n

\u201cI was young and worried about a script I was writing and raising the money for it,\u201d he said. \u201cMr. Belafonte said: \u2018Don\u2019t worry about the money. Do good work, and what\u2019s supposed to follow will follow.\u2019 \u201d<\/p>\n

By KERRY HANNON<\/a><\/span><\/p>\n

\"Share<\/a>